My daddy was an angel man. He could look at you and tell where you hurt and he could fix it too. He made a hanging thing for Grandma Baby, so she could pull herself up from the floor when she woke up in the morning, and he made a step so when she stood up she was level. Grandma said she was always afraid a whiteman would knock her down in front of her children. She behaved and did everything right in front of her children because she didn’t want them to see her knocked down. She said it made children crazy to see that. At Sweet Home nobody did or said they would, so my daddy never saw it there and never went crazy and even now I bet he’s trying to get here. If Paul D could do it my daddy could too. Angel man. We should all be together. Me, him and Beloved. Ma’am could stay or go off with Paul D if she wanted to. Unless Daddy wanted her himself, but I don’t think he would now, since she let Paul D in her bed. Grandma Baby said people look down on her because she had eight children with different men. Coloredpeople and whitepeople both look down on her for that. Slaves not supposed to have pleasurable feelings on their own; their bodies not supposed to be like that, but they have to have as many children as they can to please whoever owned them. Still, they were not supposed to have pleasure deep down. She said for me not to listen to all that. That I should always listen to my body and love it.
The secret house. When she died I went there. Ma’am wouldn’t let me go outside in the yard and eat with the others. We stayed inside. That hurt. I know Grandma Baby would have liked the party and the people who came to it, because she got low not seeing anybody or going anywhere—just grieving and thinking about colors and how she made a mistake. That what she thought about what the heart and the body could do was wrong. The whitepeople came anyway. In her yard. She had done everything right and they came in her yard anyway. And she didn’t know what to think. All she had left was her heart and they busted it so even the War couldn’t rouse her.
She told me all my daddy’s things. How hard he worked to buy her. After the cake was ruined and the ironed clothes all messed up, and after I heard my sister crawling up the stairs to get back to her bed, she told me my things too. That I was charmed. My birth was and I got saved all the time. And that I shouldn’t be afraid of the ghost. It wouldn’t harm me because I tasted its blood when Ma’am nursed me. She said the ghost was after Ma’am and her too for not doing anything to stop it. But it would never hurt me. I just had to watch out for it because it was a greedy ghost and needed a lot of love, which was only natural, considering. And I do. Love her. I do. She played with me and always came to be with me whenever I needed her. She’s mine, Beloved. She’s mine.
I AM BELOVED and she is mine. I see her take flowers away from leaves she puts them in a round basket the leaves are not for her she fills the basket she opens the grass I would help her but the clouds are in the way how can I say things that are pictures I am not separate from her there is no place where I stop her face is my own and I want to be there in the place where her face is and to be looking at it too a hot thing
All of it is now it is always now there will never be a time when I am not crouching and watching others who are crouching too I am always crouching the man on my face is dead his face is not mine his mouth smells sweet but his eyes are locked
some who eat nasty themselves I do not eat the men without skin bring us their morning water to drink we have none at night I cannot see the dead man on my face daylight comes through the cracks and I can see his locked eyes I am not big small rats do not wait for us to sleep someone is thrashing but there is no room to do it in if we had more to drink we could make tears we cannot make sweat or morning water so the men without skin bring us theirs one time they bring us sweet rocks to suck we are all trying to leave our bodies behind the man on my face has done it it is hard to make yourself die forever you sleep short and then return in the beginning we could vomit now we do not
now we cannot his teeth are pretty white points someone is trembling I can feel it over here he is fighting hard to leave his body which is a small bird trembling there is no room to tremble so he is not able to die my own dead man is pulled away from my face I miss his pretty white points
We are not crouching now we are standing but my legs are like my dead man’s eyes I cannot fall because there is no room to the men without skin are making loud noises I am not dead the bread is sea-colored I am too hungry to eat it the sun closes my eyes those able to die are in a pile I cannot find my man the one whose teeth I have loved a hot thing the little hill of dead people a hot thing the men without skin push them through with poles the woman is there with the face I want the face that is mine they fall into the sea which is the color of the bread she has nothing in her ears if I had the teeth of the man who died on my face I would bite the circle around her neck bite it away I know she does not like it now there is room to crouch and to watch the crouching others it is the crouching that is now always now inside the woman with my face is in the sea a hot thing
In the beginning I could see her I could not help her because the clouds were in the way in the beginning I could see her the shining in her ears she does not like the circle around her neck I know this I look hard at her so she will know that the clouds are in the way I am sure she saw me I am looking at her see me she empties out her eyes I am there in the place where her face is and telling her the noisy clouds were in my way she wants her earrings she wants her round basket I want her face a hot thing
in the beginning the women are away from the men and the men are away from the women storms rock us and mix the men into the women and the women into the men that is when I begin to be on the back of the man for a long time I see only his neck and his wide shoulders above me I am small I love him because he has a song when he turned around to die I see the teeth he sang through his singing was soft his singing is of the place where a woman takes flowers away from their leaves and puts them in a round basket before the clouds she is crouching near us but I do not see her until he locks his eyes and dies on my face we are that way there is no breath coming from his mouth and the place where breath should be is sweet-smelling the others do not know he is dead I know his song is gone now I love his pretty little teeth instead
I cannot lose her again my dead man was in the way like the noisy clouds when he dies on my face I can see hers she is going to smile at me she is going to her sharp earrings are gone the men without skin are making loud noises they push my own man through they do not push the woman with my face through she goes in they do not push her she goes in the little hill is gone she was going to smile at me she was going to a hot thing
They are not crouching now we are they are floating on the water they break up the little hill and push it through I cannot find my pretty teeth I see the dark face that is going to smile at me it is my dark face that is going to smile at me the iron circle is around our neck she does not have sharp earrings in her ears or a round basket she goes in the water with my face
I am standing in the rain falling the others are taken I am not taken I am falling like the rain is I watch him eat inside I am crouching to keep from falling with the rain I am going to be in pieces he hurts where I sleep he puts his finger there I drop the food and break into pieces she took my face away
there is no one to want me to say me my name I wait on the bridge because she is under it there is night and there is day
again again night day night day I am waiting no iron circle is around my neck no boats go on this water no men without skin my dead man is not floating here his teeth are down there where the blue is and the grass so is the face I want the face that is going to smile at me it is going to in the day diamonds are in the water where she is and turtles in the night I hear chewing and swallowing and laughter it belongs to me she is the laugh I am the laugher I see her face which is mine it is the face that was going to smile at me in the place where we crouched now she is going to her face comes through the water a hot thing her face is mine she is not smiling she is chewing and swallowing I have to have my face I go
in the grass opens she opens it I am in the water and she is coming there is no round basket no iron circle around her neck she goes up where the diamonds are I follow her we are in the diamonds which are her earrings now my face is coming I have to have it I am looking for the join I am loving my face so much my dark face is close to me I want to join she whispers to me she whispers I reach for her chewing and swallowing she touches me she knows I want to join she chews and swallows me I am gone now I am her face my own face has left me I see me swim away a hot thing I see the bottoms of my feet I am alone I want to be the two of us I want the join
I come out of blue water after the bottoms of my feet swim away from me I come up I need to find a place to be the air is heavy I am not dead I am not there is a house there is what she whispered to me I am where she told me I am not dead I sit the sun closes my eyes when I open them I see the face I lost Sethe’s is the face that left me Sethe sees me see her and I see the smile her smiling face is the place for me it is the face I lost she is my face smiling at me doing it at last a hot thing now we can join a hot thing
I AM BELOVED and she is mine. Sethe is the one that picked flowers, yellow flowers in the place before the crouching. Took them away from their green leaves. They are on the quilt now where we sleep. She was about to smile at me when the men without skin came and took us up into the sunlight with the dead and shoved them into the sea. Sethe went into the sea. She went there. They did not push her. She went there. She was getting ready to smile at me and when she saw the dead people pushed into the sea she went also and left me there with no face or hers. Sethe is the face I found and lost in the water under the bridge. When I went in, I saw her face coming to me and it was my face too. I wanted to join. I tried to join, but she went up into the pieces of light at the top of the water. I lost her again, but I found the house she whispered to me and there she was, smiling at last. It’s good, but I cannot lose her again. All I want to know is why did she go in the water in the place where we crouched? Why did she do that when she was just about to smile at me? I wanted to join her in the sea but I could not move; I wanted to help her when she was picking the flowers, but the clouds of gunsmoke blinded me and I lost her. Three times I lost her: once with the flowers because of the noisy clouds of smoke; once when she went into the sea instead of smiling at me; once under the bridge when I went in to join her and she came toward me but did not smile. She whispered to me, chewed me, and swam away. Now I have found her in this house. She smiles at me and it is my own face smiling. I will not lose her again. She is mine.
Tell me the truth. Didn’t you come from the other side?
Yes. I was on the other side.
You came back because of me?
Yes.
You rememory me?
Yes. I remember you.
You never forgot me?
Your face is mine.
Do you forgive me? Will you stay? You safe here now.
Where are the men without skin?
Out there. Way off.
Can they get in here?
No. They tried that once, but I stopped them. They won’t ever come back.
One of them was in the house I was in. He hurt me.
They can’t hurt us no more.
Where are your earrings?
They took them from me.
The men without skin took them?
Yes.
I was going to help you but the clouds got in the way.
There’re no clouds here.
If they put an iron circle around your neck I will bite it away.
Beloved.
I will make you a round basket.
You’re back. You’re back.
Will we smile at me?
Can’t you see I’m smiling?
I love your face.
We played by the creek.
I was there in the water.
In the quiet time, we played.
The clouds were noisy and in the way.
When I needed you, you came to be with me.
I needed her face to smile.
I could only hear breathing.
The breathing is gone; only the teeth are left.
She said you wouldn’t hurt me.
She hurt me.
I will protect you.
I want her face.
Don’t love her too much.
I am loving her too much.
Watch out for her; she can give you dreams.
She chews and swallows.
Don’t fall asleep when she braids your hair.
She is the laugh; I am the laughter.
I watch the house; I watch the yard.
She left me.
Daddy is coming for us.
A hot thing.
Beloved
You are my sister
You are my daughter
You are my face; you are me
I have found you again; you have come back to me
You are my Beloved
You are mine
You are mine
You are mine
I have your milk
I have your smile
I will take care of you
You are my face; I am you. Why did you leave me who am you?
I will never leave you again
Don’t ever leave me again
You will never leave me again
You went in the water
I drank your blood
I brought your milk
You forgot to smile
I loved you
You hurt me
You came back to me
You left me
I waited for you
You are mine
You are mine
You are mine
IT WAS a tiny church no bigger than a rich man’s parlor. The pews had no backs, and since the congregation was also the choir, it didn’t need a stall. Certain members had been assigned the construction of a platform to raise the preacher a few inches above his congregation, but it was a less than urgent task, since the major elevation, a white oak cross, had already taken place. Before it was the Church of the Holy Redeemer, it was a dry-goods shop that had no use for side windows, just front ones for display. These were papered over while members considered whether to paint or curtain them—how to have privacy without losing the little light that might want to shine on them. In the summer the doors were left open for ventilation. In winter an iron stove in the aisle did what it could. At the front of the church was a sturdy porch where customers used to sit, and children laughed at the boy who got his head stuck between the railings. On a sunny and windless day in January it was actually warmer out there than inside, if the iron stove was cold. The damp cellar was fairly warm, but there was no light lighting the pallet or the washbasin or the nail from which a man’s clothes could be hung. And an oil lamp in a cellar was sad, so Paul D sat on the porch steps and got additional warmth from a bottle of liquor jammed in his coat pocket. Warmth and red eyes. He held his wrist between his knees, not to keep his hands still but because he had nothing else to hold on to. His tobacco tin, blown open, spilled contents that floated freely and made him their play and prey.
He couldn’t figure out why it took so long. He may as well have jumped in the fire with Sixo and they both could have had a good laugh. Surrender was bound to come anyway, why not meet it with a laugh, shouting Seven-O! Why not? Why the delay? He had already seen his brother wave goodbye from the back of a dray, fried chicken in his pocket, tears in his eyes. Mother. Father. Didn’t remember the one. Never saw the other. He was the youngest of three half-brothers (same mother—different fathers) sold to Garner and kept there, forbidden to leave the farm, for twenty years. Once, in Maryland, he met four families of slaves who had all been together for a hundred years: great-grands, grands, mothers, fathers, aunts, uncles, cousins, children. Half white, part white, all black, mixed with Indian. He watched them with awe and envy, and each time he discovered large families of black people he made them identify over and over
who each was, what relation, who, in fact, belonged to who.
“That there’s my auntie. This here’s her boy. Yonder is my pap’s cousin. My ma’am was married twice—this my half-sister and these her two children. Now, my wife…”
Nothing like that had ever been his and growing up at Sweet Home he didn’t miss it. He had his brothers, two friends, Baby Suggs in the kitchen, a boss who showed them how to shoot and listened to what they had to say. A mistress who made their soap and never raised her voice. For twenty years they had all lived in that cradle, until Baby left, Sethe came, and Halle took her. He made a family with her, and Sixo was hell-bent to make one with the Thirty-Mile Woman. When Paul D waved goodbye to his oldest brother, the boss was dead, the mistress nervous and the cradle already split. Sixo said the doctor made Mrs. Garner sick. Said he was giving her to drink what stallions got when they broke a leg and no gunpowder could be spared, and had it not been for schoolteacher’s new rules, he would have told her so. They laughed at him. Sixo had a knowing tale about everything. Including Mr. Garner’s stroke, which he said was a shot in his ear put there by a jealous neighbor.