Every day began with church, and the church stalls had been built to stop moral pollution of any kind. The boys could not see the girls, and the convicts and all the massed undesirables were kept out of sight of the pious free settlers from the nearby enclave of the newly rich, which was called, appropriately and dismally, New Town. While the fireplaces were arranged around the free settlers’ pews, those designated orphans were denied even the possibility of movement to keep warm. They offered up prayers for the wicked and the fallen, the lost and broken, the sick and the invalid, the poor fatherless and miserable motherless children, and afterwards they went back to cough and freeze and be beaten once more.
On the day Mathinna arrived, the church service had been held over an hour late because the typhoid had claimed another child overnight, bringing the total who had died in the previous month to five. There was a listlessness about the whole place that subdued even the sharp scent of imminent violence normally permeating the building. Mathinna was told nothing about what was happening to her, nor what place it was through which she now walked with a lack of concern that only someone who did not realise this was her destiny could manifest. She was led down a dark corridor that tunnelled through the building and opened out onto a veranda at the back, and there told only to wait.
She looked out over a squalid yard. Though muddy that winter’s day, it still drew the children as a place where one could, if not get warm, then at least gaze on the distant heat of an even more distant sun. Warmth was, for the children, an idea—the one philosophy they were introduced to at St John’s—and from an unshadowed corner, two skiving boys, seeking to acquaint themselves better with it, turned to stare at the new arrival.
As Mathinna stood there, possum-skin rug wrapped around her, feeling sleepy and queasy from the cart ride, she noticed a sulphur-crested cockatoo alight on a rusting whaling try-pot set below a dripping gutter. Mathinna’s eyes sharpened. The bird was clearly an escaped pet, for it jumped from foot to foot while alternately crying out ‘Love youse!’ and ‘Fug youse!’ It was a beautiful large parrot, its coat fine, its bearing splendid.
Mathinna smiled, as if at the sight of a friend. She stepped forward, her hand proffered as a perch, and the bird cocked its head and turned a glistening ebony eye at her, then threw up its sulphur crest in greeting. It had taken two hops towards her when it was felled by a rock. Mathinna looked up and saw a smiling boy proudly waving a slingshot, then back at the parrot convulsing in the mud. She leant down and with a single quick movement wrung its neck, then turned away, and abruptly doubling up, vomited cheese and toast into the try-pot.
Some time later she was fetched by an old man with a gammy leg, who, hobbling and cursing as they went, took her up flights of bare pine stairs to a storeroom stacked with clothing. Here she showed the first signs of resistance after Mrs Trench, a woman of great girth and gasping speech, attempted to take off Mathinna’s green seashell necklace and red dress, her best clothes that she had worn for the occasion. Mathinna bit Mrs Trench’s hand so hard it bled. The Warden was summoned but was a good hour arriving, having been overseeing the burning of the forest behind St John’s, from which he knew the foul, fatal typhoid miasma to be emanating.
Angry at his important work being interrupted, the Warden, a man of later years with the build and pocked face of an anvil, thrashed the child with a tea-tree stick for insolence, and, when the child would offer neither explanation nor apology for her animal behaviour, thrashed her a second time for dumb insolence. After, she was taken to a room kept specially for such malevolent offenders and locked there for the rest of the day and the night. Without bed, hammock or palliasse, its sole furnishing was an unfired chamber pot, cracked such that it leaked over the already putrid floor on which she slept.
The following morning, Mrs Trench, aided by two wardsmen who each took an arm, dragged Mathinna to the washroom. There, with the wardsmen holding her down as she bucked and thrashed, Mrs Trench stripped the child, shoved her around a little in the name of looking for lice, and threw a bucket of cold water over her. Though Mathinna lost the fight, her struggle was recognised when Mrs Trench tossed her seashell necklace and red dress back at her, saying that as long as she wore something on top, she could keep them. Her head was then shaved of its dense black curls, and she was dressed in a stained blue gown and calico pinafore, both large enough to sit over her red dress and several more.
Because Mathinna was, in her way, a person of note, she was solemnly presented by the Warden with something few children received, a pair of wooden clogs, which had belonged to a boy who had died of fever during the night. Her only response was to throw them back at the Warden. After being thrashed again, she was taken barefoot to the punishment room for a second day and night with the cracked chamber pot.
Despite the Warden spending the rest of the day burning the forest behind the orphanage, despite the air by the afternoon being choked with smoke rather than the peaty aroma of forest, two more children were carried away with typhoid that evening. It was clear to all the staff, who heard it from Mrs Trench, and to all the children, who heard it from the staff—who knew it for a fact—that the blacks had ‘powers’. Even more pervasive than the acrid taste of ash was the dread that now settled over the orphanage. Everyone knew that the sulking black child was exercising her vengeance.
The only conclusions to be drawn from the Warden’s wise compromise the following day, when he thrashed Mathinna for a fourth time but then let the child witch doctor sleep in the dormitory with the other girls, were that the black girl was indeed an emissary of the Devil and that the Warden had won them all a reprieve from death. For the fatal contagion ended, and it was clear that while no amount of burnt forest had halted the plague, this one providential act had.
In the dormitory, the rich scent of ammonia rising from the damp hammocks of the bed-wetters, whose inexplicable sin defied all beatings, mingled that moonlit night with the swarms of strange insects that the island seemed to breed in biblical proportions—flying ants, moths the size of small birds, mosquitoes. The black girl’s Satanic reputation was enhanced when she, who refused to eat of a day, of a night caught the moths with lightning strikes of her hand and gobbled them up.
In spite of Sir John telling Lady Jane he had been advised that visits of any type would only further distress the child and not help ease her into her new life, Lady Jane went to the orphanage three days later to retrieve Mathinna. She was motivated partly by wounded pride, by a measure—real but not large—of appropriate concern, and by a desire to remind her husband that such an action, taken without consultation, was unacceptable.
But there was something else; something buried so deep within Lady Jane that it took the form of a physical pain she did not dare seek words for. She was not an hysteric. She refused to open herself up to such morbid sensations as she had seen women of feeble character do, embracing the maladies of their own mind. But still it came on her in waves, leaving her short of breath and disoriented, as the Warden led her through the Orphanage’s many rooms in accordance with the Governor’s earlier instructions. For Sir John had lived too long with his wife’s will to believe he would be obeyed, and so, as a seasoned naval officer, he had prepared a wily line of second defence.
The children slunk away from Lady Jane like animals, one part fearful and two parts desperate for food and life; the only sleek and content being she saw in this grove of misery was a large ginger tomcat, fat on the rats that even at this hour sported along the shadowed kickboards. Lady Jane tried to talk to one boy, but he seemed indifferent to her or anybody or anything, as though he had withdrawn from life. She asked other children: did they get enough to eat? was all well here?
But they seemed not to hear, far less comprehend. Their faces were subdued and empty, their skin chapped and often scabby, their expressions expressionless. Lady Jane noticed an eerie absence of whispering or pulling hair or giggling. The children seemed too exhausted to do much more than cough and hack and scra
tch, beset with everything from consumption to dysentery to chilblains, the tormented wounds of which scabbed their arms with bloodied buttercups.
Though the orphanage was but a few years old, there was a stench about it. Lady Jane could identify one scent as that of decay, but beyond it, over it, was another odour she could not name, that she would later describe in her diary only in the vaguest terms: the place smelt, she wrote, ‘of something wrong’. It was a smell trapped in the putrid canvas hammocks she now walked past in the stinking dormitory, their umber weave mottled with large florettes of urine and blood, it was embedded in the ammoniacal rough floor boards, it was embodied in a small mound of angry red and yellow flesh that lay in a rude cot in a corner, wrapped in lint and greased like a cold roast potato.
‘House fire,’ said the Warden in a low whisper. ‘Mother burnt to death. Only girl saved.’
Apart from an occasional low, long whimper, the child gave no sign of pain or interest. Instead she merely stared at the ceiling with intensely vivid blue eyes that looked as if they had been mistakenly buried in charred pork, as if they were wondering why it was taking so long to be interred in one of the toy-sized coffins that waited, white-painted, racked and ready, in the cellar storeroom where Lady Jane was next taken.
‘Marvellously and completely self-contained, we are,’ said the Warden as he raised the lantern around his macabre store. ‘Our boys make these themselves.’
Leaving the coffin room, Lady Jane asked to be excused the rest of the tour, and so instead they went to the second-storey dining room, in which the officials of the institution took their meals and from where it was possible to look out on a rear courtyard where the children passed their idle time. Through the whirling glass she looked down on that muddy square.
Lady Jane swallowed.
Were it not for Mathinna’s colour, she would not have recognised the already scabby, shaven-headed child in a drab cassock who sat alone and unmoving in the dirt below. When hit in the face by some mud hurled at her by another child, Mathinna bared her teeth and appeared to hiss, which, oddly, seemed to put an end to the attack.
Lady Jane had come to take her home. She did not care what her fool husband thought or did, or what the wretches that passed for colonial society might say. She had intended simply stating her desire and leaving immediately with Mathinna. But something stopped her from saying what she wished, from doing what she desired. Instead she said she hoped Mathinna was eating properly.
‘Eating?’ said the Warden, who had come to stand at the window with Lady Jane. ‘Eats nothing. Except insects.’
There was a long silence. Even words seemed unnecessary luxuries at St John’s.
‘My dear Warden,’ Lady Jane began, then halted and shook her head. She just wanted to leave.
The Warden leant in closer. ‘Yes, Lady Jane?’
‘Mr—how do I say this? The child never ate insects all the years she was with me.’
‘She has reverted to type,’ said Mrs Trench, who now joined them.
‘Did she,’ asked the Warden, ‘hide her true nature from you? All those years? Is what we see below the truth of these people?’
They stared for a few moments without speaking at the mud-spattered, bedraggled girl. Lady Jane’s vision began blurring, and she turned to face the Warden.
‘She struck me as…’ said Lady Jane, but some certainty, some conviction, was missing from her voice, from the words spilling from her mouth. She brushed her eyes with a kid-gloved finger. ‘At least, initially, that is, she—she appeared intelligent, seemed—’
‘Intelligent?’ said the Warden, as though it were a matter to ponder. He seemed deeply understanding, and his understanding was somehow terrifying and impossible for Lady Jane. He smelt of smoke and sounded like clanging iron. ‘No,’ said the Warden finally. ‘Never that.’
‘Rat cunning, more like it,’ said Mrs Trench.
‘Animal instinct,’ said the Warden, ‘highly honed. As Mrs Trench—much experienced with the savages—has alluded to. Do we commit Rousseau’s fallacy? Thinking rat cunning equates with humanity or civilisation? No. Why? Because when rewarded, the child pretended to one thing. But here we see that they are capable of the grossest deceit. Precisely because progress is impossible, they regress quickly.’ He looked Lady Jane in the eyes and his thin lips slowly formed a pained smile of knowing compassion. ‘Is this painful for you to hear? I know, Ma’am. How can it not be? But to us here at St John’s Orphanage, they are all God’s children. Wherever they come from, Ham or Abraham, it matters not.’
The Warden believed in God’s love and pity. A terrible love. A most terrifying pity. And against all that belief and all that love and all that pity, against all the questions already answered, even a spirit as indomitable as Lady Jane’s faltered.
She swung back to the swirling glass and the sight of Mathinna beyond, so buffeted by waves of memory and emotion she thought she might sink beneath them. How she longed again to hear the tinkling of the bell as the child made her way around the house. For arms wrapping around her legs and waist, grabbing and holding her. Why had she pushed the child away when she had secretly longed to be so grabbed and held?
And then she could no longer hold down that deep buried feeling. She could no longer deny the memory of her three miscarriages. She could not forget her grief, and then the cruel awakening to her barren body, her loneliness, her inescapable sense of shame as a woman, her desperate desire for a child, her pride that rescued her and then crushed her and made her move relentlessly and constantly, desperately seeking to raise herself and her husband forever after, as though they might somehow escape the gravity of her grief.
Until that day on Flinders Island when she had seen Mathinna dance in a white kangaroo skin, Lady Jane had deluded herself that it was science, reason, Christianity; that the ruse of a noble experiment might somehow bring her the mystery that other women took for granted, but she never admitted what it really was that she longed to know: the love of a mother for a child.
She wished to rush down to the filthy courtyard, grab Mathinna and steal the frightened child away from all this love and pity, this universal understanding that it was necessary that she suffer so. She wished to wash and soothe her, to whisper that it was all right, over and over, that she was safe now, to kiss the soft shells of her ears, hold her close, feed her warm soup and bread. She wished to be the mother she had tried so hard never to appear, to put her nose in Mathinna’s wild hair and comfort and protect her, and revel in her difference and not seek to destroy it, because in that moment she knew that the destruction of that difference could only lead, in the end, to the terrible courtyard below, and the white coffins below that.
Then this thought was replaced by a different voice that whispered how all these things were regrettable but unavoidable, that somehow the stinking hammocks and rats and cold mud and burnt children were for a necessary purpose. It made no sense. But finally her head succeeded in steadying her reckless heart. And Lady Jane recognised the truth of what she was being told: that her great experiment was the most ignominious failure, and that she must not suffer the further humiliation of taking Mathinna home to England. At that moment, everything in that room, in St John’s, smelt to her of wet stone.
She turned away from the window and the sight of that filthy, bedraggled figure. She took a deep breath. None could ever underestimate her courage.
‘What you say accords with common sense,’ she said slowly, stumbling over the words as though it were a confession extracted by some terrible means. ‘I can see that she is simply reverting to her animal nature.’
‘It is what we have worked with before,’ said the Warden gently. ‘There are places for all in our colony’s kitchens and sculleries, Ma’am. But you cannot raise gazelles from rats.’
Lady Jane could see that whatever magic Mathinna had possessed as a small girl on Flinders Island had now vanished. Now she was no longer pretty but dirty and unattractive, no longer delightful a
nd happy but spiteful and miserable. In truth, thought Lady Jane, she has under my care only gone backwards, and can only degenerate further. The dance had left the dancer.
Watching Lady Jane’s carriage return, seeing her enter Government House alone, Sir John hoped he would be seen as callous by more than just his wife. It would help—if only in a small way—restore his standing with the colonists, and with that, he might find some small measure of pride restored. He despised himself for it and despised humanity for it. He recognised it as a conclusive argument for his return to something for which he was in every other respect congenitally unsuited—by weight, by age, by character—the white world of polar exploration. It was the only emptiness he knew greater than himself.
The day after they sailed from Van Diemen’s Land, when there was enough sea between them and the child, in an act that was composed equally of contrition and cunning, Sir John made a gift to his wife of a painting of Mathinna done by the convict Bock shortly before the fateful ball.
She was wearing her favourite red dress, and the picture was marred only by one detail: her bare feet. For Mathinna had, typically, kicked off her court shoes for the sitting and Bock had painted her barefooted. Because it was a watercolour, he did not feel he could paint shoes over the feet, and when, on Lady Jane’s instructions, Bock painted a copy with shoes, it had somehow lost the delightful spontaneity of the original. And so the paintings had been rolled up and stored away and forgotten, until Sir John had the original searched out and framed.
‘It really is a fine likeness of the child when she was at her most admirable,’ he said as the wrapping paper fell to the floor. ‘Predating her rather sorry decline.’
Lady Jane wanted to scream.
With a piece of shaped timber, the framer had achieved more in a moment than she had with her previously invincible will over the last five years. His oval frame neatly cut Mathinna off at her ankles and finally covered her bare feet.