Moreover, Sœur Jeanne wrote her confessions without reflecting that her readers might have other sources of information about the facts therein recorded. Thus, from the official record of the counts upon which Grandier was condemned, we know that the Prioress and several other nuns were overpowered by remorse at what they had done and tried to withdraw a testimony which they knew, even in the paroxysms of hysteria, to be completely false. Sœur Jeanne’s autobiography abounds in the conventional avowals of vanity, of pride, of lukewarmness. But of her greatest offence—the systematic lying which had brought an innocent man to the question and the flames—she makes no mention. Nor does she ever refer to the only creditable episode in the whole hideous story—her repentance and the public confession of her guilt. On second thoughts she preferred to accept the cynical assurances of Laubardemont and the Capuchins: her contrition was a trick of the devils, her lies were gospel truth. Any account of this episode, even the most favourable, would inevitably have spoiled her portrait of the authoress as a victim of the devil, miraculously rescued by God. Suppressing the strange and tragic facts, she chose to identify herself with an essentially bookish fiction. This sort of thing is the very stuff of comedy.
In the course of his life Jean-Joseph Surin thought, wrote and did many foolish, ill-judged and even grotesque things. But for anyone who has read his letters and his memoirs he must always remain an essentially tragic figure, in whose sufferings (however odd and however, in a certain sense, well-deserved) we always participate. We know him as he knew himself—from inside and without disguise. The “I” who does his confessing is always Jean-Joseph, never someone else, more romantic, never, as with the poor Prioress, that other, spectacular personage, who invariably ends by letting the cat out of the bag and so transforming the would-be sublime into the comic, the downright farcical.
The beginnings of Surin’s long tragedy have already been described. An iron will, directed by the highest ideal of spiritual perfection and by erroneous notions as to the relations between Absolute and relative, between God and nature, had overdriven a weak constitution, a temperament in unstable equilibrium. He was a sick man even before he came to Loudun. There, though he tried to mitigate the Manichaean excesses of the other exorcists, he became the victim of a too close and intense preoccupation with the idea and the apparent fact of radical Evil. The devils derived their strength from the very violence of the campaign which was waged against them. Strength in the nuns, and strength in their exorcists. Under the influence of an organized obsession with evil, the normally latent tendencies (tendencies to licence and blasphemy, to which, by induction, a strict religious discipline always gives rise) came rushing to the surface. Lactance and Tranquille died in convulsions, “hand and foot in Belial’s gripe.” Surin underwent the same self-inflicted ordeal, but survived.
While working at Loudun, Surin found time, between the exorcisms and his own seizures, to write many letters. But except to his indiscreet friend, Father d’Attichy, he made no confidences. Meditation, mortification, purity of heart—these are the ordinary themes of his letters. The devils and his own trials are scarcely mentioned.
“In regard to your mental prayer,” he writes to one of his cloistered correspondents, “I do not take it as a bad sign that you should be unable, as you tell me, to keep your mind fixed on some particular subject, which you have prepared in advance. I advise you not to pin yourself down to any specific topic, but to go to your prayers with the same freedom of heart, with which, in the past, you used to go to Mother d’ Arrérac’s room, to talk with her and help her to pass the time. To these meetings you did not bring an agenda of carefully studied subjects for discussion; for that would have put an end to the pleasure of your conversation. You went to her with a general disposition to foment and cultivate your friendship. Go to God in the same way.”
“Love the dear God,” he writes to another of his friends, “and permit Him to do as He likes. Where He works, the soul should give up its own coarse way of acting. Do this, and remain exposed to the will of Love, and to its power. Lay aside your busy practices, which are mingled with many imperfections that need to be purified.”
And what is this divine Love, to whose will and power the soul is required to expose itself? “Love’s work is to ravage, to destroy, to abolish, and then to make new, to set up again, to resuscitate. It is marvellously terrible and marvellously sweet; and the more terrible, the more desirable, the more attractive. To this Love we must resolutely give ourselves. I shall not be happy until I have seen it triumph over you, to the point of consuming and annihilating you.”
In Surin’s case the process of annihilation was only just beginning. During the greater part of 1637 and the first months of 1638 he was a sick man, but a sick man with intervals of health. His malady consisted of a series of departures from a state that was still tolerably normal.
“This obsession,” he wrote twenty-five years later in La Science Expérimentale des choses de I’autre vie,1 “was accompanied by extraordinary mental vigour and cheerfulness, which helped him to bear this burden not merely with patience, but with contentment.” True, sustained concentration was already out of the question; he could not study. But he could make use of the fruits of earlier studies in astonishing improvisations. Inhibited, not knowing what he was going to say, or whether he would be able to open his mouth, he would climb up into the pulpit with the feelings of a condemned criminal mounting the scaffold. Then, suddenly he would feel “a dilatation of the interior sense and the heat of so strong a grace that he would discharge his heart like a trumpet, with a mighty power of voice and thought, as if he had been another man. . . . A pipe had been opened, disgorging into his mind an abundance of strength and knowledge.”
Then came a sudden change. The pipe was stopped; the torrent of inspiration dried up. The sickness took a new form, and was no longer the spasmodic obsession of a relatively normal soul in touch with its God, but a total deprivation of light, accompanied by a diminution and degradation of the whole man into something less than himself. In a series of letters, written for the most part in 1638, and addressed to a nun who had passed through experiences similar to his own, Surin describes the first beginnings of that new phase of his malady.
In part, at least, his sufferings were physical. There were days and weeks when a low, but almost unremitting, fever kept him in a state of extreme weakness. At other times he suffered from a kind of partial paralysis. He still had some control over his limbs; but every movement cost him an enormous effort and was often accompanied by pain. The smallest actions were torturing ordeals, and every task, the most trifling and ordinary, was a labour of Hercules. It would take him two or three hours to unfasten the hooks on his cassock. As for completely undressing, it was a physical impossibility. For nearly twenty years, Surin slept in his clothes. Once a week, however, it was necessary (if he was to remain free of vermin, “for which I had a great aversion”) to change his shirt. “I suffered so enormously from this change of linen that sometimes I would spend almost the whole of the night from Saturday to Sunday in taking off the soiled shirt and putting on the clean one. Such was the pain involved that, if ever I seemed to find some gleam of happiness, it was always before Thursday, whereas from Thursday onward I suffered the greatest anguish, thinking of my change of shirt; for this was a torture from which, if I could have had my choice, I would have ransomed myself by almost any other kind of suffering.”
Eating was almost as bad as dressing and undressing. Shirts were changed only once a week. But these Sisyphean cuttings of meat, these raisings of forks to mouth, these laborious graspings and tiltings of the glass, were daily ordeals, all the more unbearable because of a total lack of appetite and the diner’s knowledge that he would probably throw up everything he had eaten or, if he did not, would suffer from excruciating indigestion.
The doctors did their best for him. He was bled, he was purged, he was made to take warm baths. Nothing did any good. The symptoms were physical, no do
ubt; but their cause was to be sought, not in the patient’s corrupted blood and peccant humours, but in his mind.
That mind had ceased to be possessed. The struggle was no longer between Leviathan and a soul that, in spite of him, was tranquilly conscious of the presence of God. It was between a certain notion of God and a certain notion of nature, with Surin’s divided spirit fighting on both sides and getting the worst of every encounter.
That the infinite must include the finite and must therefore be totally present at every point of space, every instant of time, seems sufficiently evident. To avoid this obvious conclusion and to escape its practical consequences, the older and more rigorous Christian thinkers expended all their ingenuity, the severer Christian moralists all their persuasions and coercions.
This is a fallen world, proclaimed the thinkers, and nature, human and subhuman, is radically corrupt. Therefore, said the moralists, nature must be fought on every front—suppressed within, ignored and depreciated without.
But it is only through the datum of nature that we can hope to receive the donum of Grace. It is only by accepting the given, as it is given, that we may qualify for the Gift. It is only through the facts that we can come to the primordial Fact. “Do not hunt after the truth,” advises one of the Zen masters, “only cease to cherish opinions.” And the Christian mystics say substantially the same thing—with this difference, however, that they have to make an exception in favour of the opinions known as dogmas, articles of faith, pious traditions and the like. But at best these are but signposts; and if we “take the pointing finger for the Moon,” we shall certainly go astray. The Fact must be approached through the facts; it cannot be known by means of words, or by means of phantasies inspired by words. The heavenly kingdom can be made to come on earth; it cannot be made to come in our imagination or in our discursive reasonings. And it cannot come even on earth, so long as we persist in living, not on the earth as it is actually given, but as it appears to an ego obsessed by the idea of separateness, by cravings and abhorrences, by compensatory phantasies and by ready-made propositions about the nature of things. Our kingdom must go before God’s can come. There must be a mortification, not of nature, but of our fatal tendency to set up something of our own contriving in the place of nature. We have to get rid of our catalogue of likes and dislikes, of the verbal patterns to which we expect reality to conform, of the fancies into which we retire, when the facts do not come up to our expectation. This is the “holy indifference” of St. François de Sales; this is de Caussade’s “abandonment,” the conscious willing, moment by moment, of what actually happens; this is that “refusal to prefer” which, in Zen phraseology, is the mark of the Perfect Way.
On authority and because of certain experiences of his own, Surin believed that God could be known directly, in a transfiguring union of the soul with the divine Ground of its own and the world’s being. But he also cherished the opinion that, because of our first parents’ sin, nature is totally depraved, and that this depravity sets a great gulf between the Creator and the creature. Given these notions about God and the universe (notions idolatrously regarded as interchangeable with facts and the primordial Fact), Surin felt that it was only logical to attempt the eradication from his mind-body of every element of nature that could be uprooted without actually causing death. In his old age he recognized that he had made a mistake. “For it must be remarked that, several years before he went to Loudun, the Father” (Surin is writing of himself in the third person) “had held himself exceedingly tight (s’était extrêmement serré) for reasons of mortification, and in an effort to remain unceasingly in the presence of God; and though there was in this some commendable zeal, there were also great excesses in the reserve and constraint of his mind. For this reason he was in a condition of cramped contraction (rétrécissement), which was assuredly blameworthy, though well meant.” Because he cherished the opinion that the infinite is somehow outside the finite, that God is in some way opposed to His creation, Surin had tried to mortify, not his egotistic attitude towards nature, not the fancies and notions which he had set up in the place of nature, but nature itself, the given facts of embodied existence among human beings on this particular planet.
“Hate nature,” is his advice, “and let it suffer the humiliations God wills for it.” Nature has been “condemned and sentenced to death,” and the sentence is just; that is why we must “allow God to flay and crucify us at His pleasure.” That it was His pleasure, Surin knew by the bitterest experience. Cherishing the opinion of nature’s total depravity, he had transformed the world-weariness, which is so common a symptom of neurosis, into a loathing for his own humanity, an abhorrence for his environment—a loathing and an abhorrence all the more intense because he still had cravings, because creatures, though disgusting, were still a source of temptation. In one of his letters he states that, for some days past, he has had some business to transact. To his sick nature the occupation brings a certain relief. He feels a little less miserable, until the moment comes when he realizes that the improvement was due to the fact that “every moment had been filled with infidelities.” His misery returns, aggravated by a sense of guilt, a conviction of sin. He feels a chronic remorse. But it is a remorse which does not spur him to action; for he finds himself incapable of action, incapable even of confession, so that he has to “swallow his sins like water, to feed on them as though on bread.” He lives in a paralysis of the will and the faculties, but not of the sensibilities. For though he cannot do anything, he can still suffer. “The more one is stripped, the more acutely does one feel the blows.” He is in “the void of death.” But this void is more than a mere absence; it is nothingness with a vengeance, “hideous and horrible, it is an abyss, where there can be no help or relief from any creature,” and where the Creator is a tormentor, for whom the victim can feel only hatred. The new Master demands to reign alone; that is why He is making His servant’s life utterly unlivable; that is why nature has been hunted down to its last retreat and is being slowly tortured to death. Nothing remains of the personality but its most repulsive elements. Surin can no longer think, or study, or pray, or do good works, or lift up his heart to his Maker in love and gratitude; but “the sensual and animal side of his nature” is still alive and “plunged in crime and abomination.” And so are the criminally frivolous cravings for diversion, so are pride and self-love and ambition. Annihilated from within by neurosis and his rigorist opinions, he resolves to accelerate the destruction of nature by mortifying himself from without. There are still certain occupations that bring him a little relief from his miseries. He gives them up; for it is necessary, he feels, to “join outward emptiness to inward emptiness.” By this means the very hope of external support will be removed, and nature will be left, utterly defenceless, to the mercy of God. Meanwhile the doctors have ordered him to eat plenty of meat; but he cannot bring himself to obey. God has sent him this sickness as a means of purgation. If he tries to get well prematurely, he will be thwarting the divine will.
Health is rejected, business and recreation are rejected. But there are still those flashy products of his talents and learning—the sermons, the theological treatises, the homilies, the devotional poems, at which he has worked so hard and of which he is still so wickedly vain. After long and torturing indecision, he feels a strong impulse to destroy everything he has ever written. The manuscripts of several books, together with many other papers, are torn up and burned. He is now “despoiled of everything and abandoned stark naked to his sufferings.” He is “in the hands of the Workman who (I assure you) presses on with His work forcing me to travel by hard roads, which my nature revolts against taking.”
A few months later the road had become so hard that Surin was physically and mentally incapable of describing it. From 1639 to 1657 there is a great gap in his correspondence, a total blank. During all this time he suffered from a kind of pathological illiteracy, and was incapable either of writing or reading. At moments it was difficult for him e
ven to speak. He was in solitary confinement, cut off from all communication with the outside world. Exile from humanity was bad enough; but it was as nothing to that exile from God to which he was now condemned. Not long after his return from Annecy, Surin came to be convinced (and the conviction endured for many years) that he was already damned. Nothing now remained for him but to wait, in utter despair, for a death which was predestined to be the passage from hell on earth to an infinitely more terrible hell in hell.
His confessor and his superiors assured him that God’s mercy is boundless and that, so long as there is life, there can be no certainty of damnation. One learned theologian proved the point by syllogisms; another came to the infirmary loaded with folios and proved it by the authority of the Doctors of the Church. It was all in vain. Surin knew that he was lost and that the devils, over whom he had so recently triumphed, were gleefully preparing a place for him among the everlasting fires. Men might talk as they liked; but facts and his own deeds spoke louder than any words. Everything that happened, everything he felt and was inspired to do, confirmed him in his conviction. If he sat near the fire, a burning ember (the symbol of eternal damnation) was sure to jump out at him. If he entered a church, it was always at the moment when some phrase about God’s justice, some denunciation of the wicked, was read or sung—for him. If he listened to a sermon, he would invariably hear the preacher affirm that there was a lost soul in the congregation—it was his. Once, when he had gone to pray at the bedside of a dying brother, the conviction came to him that, like Urbain Grandier, he was a sorcerer and had the power to command devils to enter the bodies of innocent persons. And that was what he was doing now—putting a spell upon the dying man. Ordering Leviathan, the demon of pride, to enter into him. Summoning Isacaaron, the demon of lust, Balaam, the spirit of buffoonery, Behemoth, the lord of all blasphemies. A man was standing on the brink of eternity, ready to take the last, decisive step. If, when he took that step, his soul were full of love and faith, all would go well with him. If not . . . Surin could actually smell the sulphur, could hear the howling and the gnashing of teeth—and yet, against his will (or was he doing it voluntarily?) he kept calling on the devils, he kept hoping that they would show themselves. All at once the sick man stirred uneasily in his bed and began to talk—not as he had done before, of resignation to God’s will, not of Christ and Mary, not of the divine mercy and the joys of paradise, but incoherently of the flapping of black wings, of assailing doubts and unspeakable terrors. With an overpowering sense of horror, Surin realized that it was perfectly true: he was a sorcerer.