Picasso, Paloma, See Ruiz-Picasso, Paloma
Picasso, Paulo (P’s son), 250, 254, 255, 270, 292, 300, 316, 338, 392, 394, 407, 413, 415, 424, 454, 460, 465, 468; birth, 246; P’s portraits of, 261, 269, 276, 397; P provides for during WW II, 347; as P’s chauffeur, 404, 407; his children, 460, 464; P’s disappointment in, 466; represents P at Louvre hanging, 473
Picasso y Guardeño, Francisco (P’s grandfather), 16
Picasso y Lopez, Eladia (P’s aunt), 18, 21
Picasso y Lopez, Heliodora (P’s aunt), 18, 21
Picasso y Lopez, Doña María (P’s mother), 11, 18, 20, 21, 22, 24, 33, 53, 82, 225, 227, 274; P’s portraits of, 39, 49, 133, 260; relationship with P, 20, 39; her death, 338
Picasso and His Women (Crespelle), 401
“Picasso dans son élément” (Breton), 293
Picasso et ses amis (Olivier), 129, 247, 295, 463
Picasso: Fifty Years of His Art (Barr), 257
Picasso i els seus amies Catalans (Palau i Fabre), 111, 338
Picasso Museum, See Museo Picasso
Picasso on Art (Ashton), 174-75
Picasso, retratos y recuerdos (Sabartés), 300-1
Picasso sur place (Parmelin), 434
“Pichets de Grés” (Derain), 180
Pichot,Germaine, 135, 159, 271
Pichot, Ramon, 76, 83, 84, 100, 106, 116, 125, 133, 159, 160, 177, 180, 193, 235, 271, 272
Piéret, Géry, 155, 187; and Louvre thefts,187, 189
Piero della Francesca, 168
“Pigeon au petits pois, ” 191
Pignon, Edouard, 406, 407-8, 413, 417, 434, 436, 440
Pignon, Héiène, See Parmelin, Hélène
Pink Period, 237
Pissarro, Camille, 98
Pi y Margall, Francisco, 35
“Plage de laGaroupe, ” 436
Plaza da la Merced, 13
“Poeta Decadente, ” 82
“Poéte et sa muse, ” (Rousseau), 158
Poiret,Paul, 143
Pool, Phoebe, 95
“Porteuse de pain, ” 147
“Portrait de Jacqueline aux mains croisées, ”419
“Portrait de Madame Z, ” 419
“Portrait d’une jeune fille, ” 207
Portraits, 106-7, 118, 242-43, 260-61, 319; self-, 56, 79-80, 104, 105, 106-7, 148, 235, 252, 333, 404, 418; Cubist, 168, 170, 172, 178-79, 197, 291; of his family, 260-61, See also specific individuals
Potin, Félix, 158
Pous, Pauline, 414
Pous, René, 414
Poussin, Nicolas, 168, 197, 369, 370, 427, 458
Prado (Madrid), 54-55, 311, 338, 473; P appointed director of, 310, 314
Pre-Raphaelite movement, 55, 66
Prévert, Jacques, 293
“Primitive” art, 153-54; its influence on P, 148-49
Princet, Alice, 132, 162
Proto-Fauvism, 78
Proust, Marcel, 225, 242, 257; meets P, 253-54
Provence, 385-87
Puig y Cadafalch, 66
Pulcinella (ballet), 241-42
Pushkin Museum (Moscow), 141
Puvis de Chavannes, Pierre, 70, 138
Quatre Gats, Els, 65-67, 69, 70-72, 74-75, 80, 81, 93, 96, 110, 116, 271; P’s exhibition at, 76-78; P’s menu cards for, 80; closing of, 118
Queneau, Raymond, 293, 354
Radiguet, Raymond, 256, 258
Ragtime (Stravinsky), P’s cover illustration for, 240
Ramiés, the, 386, 391, 410,417
“Rape, ” 458
“Rapes of the Sabines,” 457-59
Raphael, 228, 236, 243, 432, 445
Raynal, Maurice, 126, 127, 149, 159, 215, 292
Rebeyrolle, Raoul, 463
Rebull, Joan, 387
“Rechs the Pre-Raphaelite, ” 55
Redon, Odilon, 85, 101, 267
Regogos, Dario de, 93
Reid and Lefevre gallery (London), 291
Rembrandt, 283, 459, 470
Renaixença, 45
Renard (ballet), 253
Rendez-vous allemand (Eluard), 404
Renoir, Auguste, 129, 133, 136, 157, 261, 269, 275, 392, 442; P’s drawing of, 243
“Repas frugal, ” 127, 137
“Repasseuse, ” 135
Resistance, the, 356, 361, 363, 365, 367, 369, 371, 372
“Rest on the Flight to Egypt, ” 49
Reventós, Ana, 476
Reventós, Cinto, 67, 111, 413, 432, 471, 476
Reventós, Cinto II, 476
Reventós, Jacint, 413
Reventós, Ramon, 67, 92, 111, 144, 210, 226, 388-89, 476
Reverdy, Pierre, 127, 240, 260, 262, 279, 292,354
Revolution surreéliste, La, 263
Revue Blanche, 74, 85, 98, 115
Ribera, José de, 40
Richardson, John, 174
Riera, Alexandre, 90
Riquer, Alexandre, 73, 74
Rivera, Diego, 183, 196
Rome peace congress, 405
Romeu, Corina, 110; P’s portrait of, 118
Romeu, Pere, 65, 76, 78, 80
Rops, Felicien, 98
Roque, Jacqueline, See Picasso, Jacqueline
Rose, Francis, 174
Rose-Croix painters, 85
Rosenberg, Léonce, 213, 233, 248
Rosenberg, Paul, 233, 239, 240, 243, 250, 253,293, 337
Rosenberg gallery, 264, 274, 305, 337, 339; P’s first one-man show at, 239-40
Rose Period, 129, 134-35, 139, 148, 291
Rossetti, Dante Gabriel, 81
Rouault, Georges, 85
Rousseau, Henri, 85, 136-37, 155, 157-60, 164, 212, 237, 248, 266, 360, 442; on himself and P, 157-58; P’s banquet for, 158-60, 400
“Rout of San Romano” (Uccello), 168
Royal Academy of San Fernando, 36, 53
Royan women, 433
Ruiz, Concha (P’s cousin), 17, 23, 56
Ruiz, Maria (P’s cousin), 17, 23, 56
Ruiz, Martinez, See Azorín
Ruiz-Picasso, Claude (P’s son), 174, 391, 395, 396, 405, 420, 424, 460; birth of, 389; P’s attachment to, 394, 403; portraits of, 396, 434; P’s estrangement from 463-64, 465
Ruiz-Picasso, Paloma (P’s daughter), 174, 396-97, 405, 420, 421, 424,460; P’s attachment to, 403; portraits of, 434; P’s estrangement from, 463-64, 465
Ruiz y Blasco, Don José (P’s father), 11, 14, 17-19, 21, 22, 24, 25, 47, 60, 68, 82, 120, 332, 428; as museum curator, 18; his influence on P, 19-20, 25-26, 35-36, 38-39, 40, 49, 51, 54-55, 56, 120, 122; move to La Coruñia, 30, 31, 33; his withdrawal, 35; move to Barcelona, 40-42, 46; his death, 202
Ruiz y Blasco, Josefa (P’s aunt), 17, 22; P’s portrait of, 50
Ruiz y Blasco, Matilde (P’s aunt), 17
Ruiz y Blasco, Pablo (P’s uncle), 16, 17, 18, 27
Ruiz y Blasco, Salvador (P’s uncle), 16-17, 30, 41, 52, 53, 56, 94
Ruiz y de Almoguera, Diego (P’s grandfather), 14, 16
Ruiz y de Fuentes, José (P’s great-grandfather), 14, 15
Ruiz y Picasso, Concepción (P’s sister), 30, 33, 39
Ruiz y Picasso, María de los Dolores (P’s sister) (Lola), 24, 27, 33, 68, 296; 342; portraits of, 49, 79, 452
Rusiñol, Santiago, 50, 66-67, 75, 76, 225
Ruskin, John, 66
Sabartés, Jaime, 16, 19, 21, 26, 47, 51, 64, 67, 69, 73, 76, 82, 93, 97, 102, 105, 106, 107, 110, 111, 113, 114, 116, 118, 120, 122-23, 124, 126, 131, 161, 274, 300-2, 305-6, 307, 308, 309, 310, 311, 312, 316, 334, 336, 339, 341, 342, 353, 354, 365, 368, 375-76, 379, 389, 399, 400, 415, 418; meets P, 68; P’s blue portrait of, 104, 471; P’s mural for his room, 121; P’s other portraits of, 82, 123, 337, 346, 354; P’s poem portrait of, 303-4, 305; estrangement from P, 312-13; reconciliation, 333; uninterrupted contact with P, 429; founds Museo Picasso in Barcelona, 452; stroke, 457; his death, 471, 472
Sabartés, Señora, 301, 312
Sabatier-Leveque, Jean Marc, P’s portraits of, 241
“Sabine Women” (David), 45
8
Sagot. Clovis, 136, 138, 161; P’s portrait of, 137; 178, 197
Saincére. Olivier, 143
St. John of the Cross, 29
“Saint Joseph and the Child Jesus” (El Greco), 147
Saint Matorel (Jacob), 184; P’s illustrations for, 240
Saint-Raphaël, 239
Sala Gaspar (Barcelona), 429
Salis. Rudolphe, 65
Salles, Georges, 257, 433, 438
Salmon, André, 127, 128, 129, 131, 149, 151, 160, 161, 162, 163, 174, 175, 177, 181-82, 183, 189, 190, 240, 279, 292, 366
“Salome, ” 137, 432
Salon d’Automne, 136, 138, 140, 155, 158, 165, 181, 186, 196, 203, 241, 364, 372, 379
Salon de Mai, 402, 457-58
Salon des Artistes français, 85
Salon des Indépendants, 136, 149, 158, 181, 196,241
Saló Parés (Barcelona), 47, 96
“Saltimbanque assis avec canne, ” 259
“Saltimbanques, Les, ” 137
Sartre, Jean-Paul, 36, 352, 354
Sassier, Inés, 357, 363, 403
Satie, Erik, 215, 217-18, 219, 223, 224, 225, 237, 243, 257, 264; his defamation suit, 225
Schiff, Mr. and Mrs, 253
Schilperoot,Tom, 137-38
Schopenhauer, Arthur, 66, 72
“Science and Charity, ” 51-52, 53, 68, 120
Sculpture, 278, 280-81, 291, 293, 295, 355-56, 362-63, 365, 397-98, 435-36; early, 111; 204-5; three- dimensional constructions, 194-95, 214; iron, 280-81; Cubist, 280-81; bone, 281; “rubbish, ” 397, 398, 405; of painted planes, 433; sheet-metal, 440; folded-metal, 448, 450
Seckler. Jerome, 326, 327, 335, 372
Secrets d’alcove d’un atelier (Parmelin), 430
Segonzac, Dunoyer de, 225
Serna, Gómez de la, 170, 230
Sert, Misia, 218, 223
Sérusier, Paul, 84
Seurat, Georges, 84, 85, 205
Severini, Gino, 192, 217
Shchukine, Sergei, 140, 141, 144, 151, 162, 164, 211, 425
Siége de Jérusalem (Jacob), P’s illustrations for, 206, 240
Sierra, Martinez, 237
“Sigh, The, ” 259
Signac, Paul, 84, 85
Signorelli, Luca, 267
Sisley, Alfred, 84
Si lard le soir (Laporte), 400
Sketch, 249
Skira, Albert, 285-86, 292
Société des Indépendants, 85
Société national des Beaux-Arts, 85
Soffici, Ardengo, 192
Soir, Le, 295
Soirées de Paris, 206, 212
Soler, Benet, P’s portrait of, 118
Soler, Francesc d’Assis, 90, 92, 93, 94, 95, 126, 171
Sorgues-sur-l’Ouvéze, 193-95
Soto, Angel de, 107, 116, 118, 119-20, 121, 144, 226, 296
Soto, Mateo de, 68, 77, 102, 106, 144, 226, 296
Soulages, Pierre, 463
Soulié, Père, 136-37, 139, 143
“Source, La, ” 258
Soutine. Chaim, 210, 216-17
Spain, 296; Revolution of 1868, 14; Inquisition, 21-22; Civil War, 310, 317-20, 329, 337
Spanish realism, 25
Stafford Gallery, 198
Stalin. Joseph, 335, 375, 434; P’s portrait of, 412
Stanhope, Lady Hester, 74
Stein, Gertrude, 97, 126, 127, 128, 129, 139-40, 143, 144, 153, 158, 159, 160, 162, 173-74, 177, 192, 199, 209, 210-11, 214, 126, 219, 229, 232, 248, 254, 289, 293, 296, 301; P’s portrait of, 144, 148; and Juan Grib, 201, 211-12; friendship with P, 211-12; on Eva’s death, 215-16; rift with P, 240; reconciliation, 246; on P’s decision to leave Olga, 274; on P’s poetry, 304