"Now I see these have double locks."

  "Yes, Madam, the banking firm requested double-lock mechanisms. As I believe I mentioned, we also install triple locks if the customer requires it."

  Lady Charlotte peered at the locks. "Three seems excessive. It must be rather a bore to turn three locks just to open a safe. These locks are burglarproof?"

  "Oh, absolutely. So much so that in two years no villain has ever even attempted to break these locks. It would be quite hopeless, in any case. These safes are double-layered eighth-inch tempered steel. There is no breaking these."

  Lady Charlotte peered thoughtfully at the safes for some moments, and finally nodded. "Very well," she said, "I shall take one. Please have it loaded into my carriage outside."

  "I beg pardon?"

  "I said I shall take one safe such as these I see here. It is precisely what I need."

  "Madam," Mr. Chubb said patiently, "we must construct the safe to your order."

  "You mean you have none for sale?"

  "None already built, no, Madam, I am very sorry. Each safe is specially built to the customer's specifications."

  Lady Charlotte appeared quite irritated. "Well, can I have one tomorrow morning?"

  Mr. Chubb gulped. "Tomorrow morning—um, well, as a rule, Madam, we require six weeks to construct a safe. On occasion we can manufacture one as quickly, as four weeks, but—"

  "Four weeks? That is a month."

  "Yes, Madam."

  "I wish to purchase a safe today"

  "Yes, Madam, quite. But as I have attempted to explain, each safe must be built, and the shortest time—"

  "Mr. Chubb, you must think me an utter fool. Well, I shall disabuse you of the notion. I have come here for the purpose of buying a safe, and now I discover you have none to sell—"

  "Madam, please—"

  "—but on the contrary will construct one for me in only a month's time. Within a month the brigands of the neighborhood will very probably have come and gone, and your safe will not in the least interest me, or my husband. I shall take my business elsewhere. Good day to you, sir, and thank you for your time."

  With that, Lady Charlotte swept out of the firm of Chubb's. And Mr. Laurence Chubb, Jr, was heard to mutter in a low voice, "Women."

  It was in this fashion that Pierce and Agar learned that the overhaul did not include changing the locks on the safes. That was, of course, all they cared about, and so they made their final preparations for the robbery, which they would carry out on May 22, 1855.

  CHAPTER 31

  The Snakesman Turns Nose

  One week later, their plans were thrown into still further disarray. On May 17, 1855, a letter was delivered to Pierce. Written in a graceful and educated hand, it read:

  My dear Sir:

  I should be most greatly obliged if you could contrive to meet with me at the Palace, Sydenham, this afternoon at four o'clock, for the purpose of discussing some matters of mutual interest.

  Most respectfully, I am,

  William Williams, Esq.

  Pierce looked at the letter in consternation. He showed it to Agar; but Agar could not read, so Pierce read the contents aloud. Agar stared at the penmanship.

  "Clean Willy's got himself a screever for this one," he said.

  "Obviously," Pierce said. "But why?"

  "Perhaps he's touching you up."

  "If that's all it is, I'd be happy," Pierce said.

  "You going to meet him?"

  "Absolutely. Will you crow for me?"'

  Agar nodded. "You want Barlow? A good cosh could save a mighty trouble."

  "No," Pierce said. "That'll set them hounding for sure, a cosh would."

  "Right, then," Agar said, "a simple crow. 'Twon't be easy in the Palace."

  "I'm sure Willy knows that," Pierce said gloomily.

  A word should be said about the Crystal Palace, that magical structure which came to symbolize the Victorian mid-century. An enormous three-story glass building covering nineteen acres, it was erected in 1851 in Hyde Park, to house the Great Exhibition of that year, and it impressed every visitor who saw it. Indeed, even in drawings the Crystal Palace is stunning to the modern eye, and to see more than a million square feet of glass shimmering in the afternoon light must have been a remarkable sight for anyone. It is not surprising that the Palace soon represented the forward-looking, technological aesthetic of the new industrial Victorian society.

  But this fabulous structure had a comfortingly haphazard origin. Led by Prince Albert himself, plans for the Great Exhibition began in 1850, and soon ran into arguments about the proposed Exhibition Hall itself, and its location.

  Obviously the building would have to be very large. But what kind of building, and where? A competition in 1850 attracted more than two hundred designs, but no winner. Thus the Building Committee drew up a plan of its own for a dreadful brick monstrosity; the structure would be four times as long as Westminster Abbey and boast a dome even larger than that of St. Peter's. It would be located in Hyde Park.

  The public balked at the destruction of trees, the inconvenience to riders, the general ruin of the pleasant neighborhood, and so on. Parliament seemed reluctant to permit Hyde Park to be used as the building site.

  In the meantime, the Building Committee discovered that their plans required nineteen million bricks. By the summer of 1850, there was insufficient time to make all these bricks and build the Great Hall in time for the exhibition's opening. There was even some dark talk that the exhibition would have to be canceled, or at least postponed.

  It was at this point that the Duke of Devonshire's gardener, Joseph Paxton, came forward with the idea of erecting a large greenhouse to serve as the Exhibition Hall. His original plan for the committee, drawn up on a piece of blotting paper, was eventually accepted for its several virtues.

  First, it saved the trees of Hyde Park; second, its chief material, glass, could be manufactured quickly; and third, it could be taken down after the exhibition and reinstalled elsewhere. The committee accepted a bid of £79,800 from a contractor to erect the giant structure, which was completed in only seven months, and was later the focal point of almost universal acclaim.

  Thus the reputation of a nation and an empire was saved by a gardener; and thus a gardener was eventually knighted.*

  _____

  *There was only one unforeseen problem with the Crystal Palace. The building contained trees, and the trees contained sparrows, and the sparrows were not housebroken. It was really no laughing matter, especially as the birds couldn't be shot, and they ignored traps set for them. Finally the Queen herself was consulted, and she said, "Send for the Duke of Wellington:" The Duke was informed of the problem. "Try sparrow hawks, Ma'am," he suggested, and he was once more victorious.

  After the exhibition, the Great Hall was taken down and moved to Sydenham, in South-East London. In those days, Sydenham was a pleasant suburban area of fine homes and open fields, and the Crystal Palace made an excellent addition to the neighborhood. Shortly before four o'clock, Edward Pierce entered the vast structure to meet Clean Willy Williams.

  The giant hall held several permanent exhibits, the most impressive being full-scale reproductions of the huge Egyptian statues of Ramses II at Abu Simbel. But Pierce paid no attention to these attractions, or to the lily ponds and pools of water everywhere about.

  A brass band concert was in progress; Pierce saw Clean Willy sitting in one of the rows to the left. He also saw Agar, disguised as a retired army officer, apparently snoozing in another corner. The band played loudly. Pierce slipped into the seat alongside Willy.

  "What is it?" Pierce said, in a low voice, He looked at the band, and thought idly that he despised band music.

  "I'm needing a turn," Willy said.

  "You've been paid."

  "I'm needing more," Willy said.

  Pierce shot him a glance. Willy was sweating, and he was edgy, but he did not look nervously around as an ordinary nervous man would do.
/>
  "You been working, Willy?"

  "No."

  "You been touched, Willy?"

  "No, I swear it, no."

  "Willy," Pierce said, "if you've turned nose on me, I'll put you in lavender."

  "I swear it," Willy said. "It's no flam—a finny or two is what I need, and that's the end of it."

  The band, in a moment of patriotic support for England's allies, struck up the "Marseillaise." A few listeners had the ill grace to boo the selection.

  Pierce said, "You're sweating, Willy."

  "Please, sir, a finny or two and that'll be the end of it"

  Pierce reached into his wallet and withdrew two five-pound notes. "Don't blow on me," Pierce said, "or I'll do what must be done."

  "Thank you, sir, thank you," Willy said, and quickly pocketed the money. "Thank you, sir."

  Pierce left him there. As he exited the Palace and came out into the park, he walked quickly to Harleigh Road. There he paused to adjust his top hat. The gesture was seen by Barlow, whose cab was drawn up at the end of the street.

  Then Pierce walked slowly down Harleigh Road, moving with all appearances of casualness, as a relaxed gent taking the air. His thoughts, whatever they might have been, were interrupted by the wail of a railroad whistle, and a nearby chugging sound. Looking over the trees and roofs of mansions, he saw black smoke puffing into the air. Automatically, he checked his watch: it was the mid-afternoon train of the South Eastern Railway, coming back from Folkestone, going toward London Bridge Station.

  CHAPTER 32

  Minor Incidents

  The train continued on toward London, and so did Mr. Pierce. At the end of Harleigh Road, near St. Martin's Church, he hailed a cab and rode it into town to Regent Street, where he got out.

  Pierce walked along Regent Street casually, never once glancing over his shoulder, but pausing frequently to look in the shopwindows along the street, and to watch the reflections in the glass.

  He did not like what he saw, but he was wholly unprepared for what he next heard as a familiar voice cried out, "Edward, dear Edward!"

  Groaning inwardly, Pierce turned to see Elizabeth Trent. She was shopping, accompanied by a livery boy, who carried brightly wrapped packages. Elizabeth Trent colored deeply. "I—why, I must say, this is an extraordinary surprise."

  "I am so pleased to see you," Pierce said, bowing and kissing her hand.

  "I—yes, I—" She snatched her hand away and rubbed it with her other. "Edward," she said, taking a deep breath. "Edward, I did not know what had become of you."

  "I must apologize," Pierce said smoothly. "I was very suddenly called abroad on business, and I am sure my letter from Paris was inadequate to your injured sensibilities."

  "Paris?" she said, frowning.

  "Yes. Did you not receive my letter from Paris?"

  "Why, no."

  "Damn!" Pierce said, and then immediately apologized for his strong language. "It is the French," he said; "they are so ghastly inefficient. If only I had known, but I never suspected—and when you did not reply to me in Paris, I assumed that you were angry . . ."

  "I? Angry? Edward, I assure you," she began, and broke off. "But when did you return?"

  "Just three days past," Pierce said.

  "How strange," Elizabeth Trent said, with a sudden look of unfeminine shrewdness, "for Mr. Fowler was to dinner a fortnight past, and spoke of seeing you."

  "I do not wish to contradict a business associate of your father's, but Henry has the deplorable habit of mixing his dates. I've not seen him for nearly three months." Pierce quickly added: "And how is your father?"

  "My father? Oh, my father is well, thank you." Her shrewdness was replaced by a look of hurt confusion. "Edward, I—My father, in truth, spoke some rather unflattering words concerning your character."

  "Did he?"

  "Yes. He called you a cad." She sighed. "And worse."

  "I wholly understand, given the circumstances, but—"

  "But now," Elizabeth Trent said, with a sudden determination, "since you are returned to England, I trust we shall be seeing you at the house once more."

  Here it was Pierce's turn to be greatly discomfited. "My dear Elizabeth," he said, stammering. "I do not know how to say this," and he broke off, shaking his head. It seemed that tears were welling up in his eyes. "When I did not hear from you in Paris, I naturally assumed that you were displeased with me, and . . . well, as time passed . . ." Pierce suddenly straightened. "I regret to inform you that I am betrothed."

  Elizabeth Trent stared. Her mouth fell open.

  "Yes," Pierce said, "it is true. I have given my word."

  "But to whom?"

  "To a French lady."

  "A French lady?"

  "Yes, I fear it is true, all true. I was most desperately unhappy, you see."

  "I do see, sir," she snapped, and turned abruptly on her heel and walked away. Pierce remained standing on the sidewalk, trying to appear as abject as possible, until she had climbed into her carriage and driven off. Then he continued down Regent Street.

  Anyone who observed him might have noticed that at the bottom of Regent Street there was nothing about his manner or carriage that indicated the least remorse. He boarded a cab to Windmill Street, where he entered an accommodation house that was a known dolly-mop's lurk, but one of the better class of such establishments.

  In the plush velvet hallway, Miss Miriam said, "He's upstairs. Third door on the right."

  Pierce went upstairs and entered a room to find Agar seated, chewing a mint. "Bit late," Agar said. "Trouble?"

  "I ran into an old acquaintance."

  Agar nodded vaguely.

  "What did you see?" Pierce said.

  "I cooled two," Agar said. "Both riding your tail nice-like. One's a crusher in disguise; the other's dressed as a square-rigged sport. Followed you all the way down Harleigh, and took a cab when you climbed aboard."

  Pierce nodded. "I saw the same two in Regent Street."

  "Probably lurking outside now," Agar said. "How's Willy?"

  "Willy looks to be turning nose," Pierce said.

  "Must have done a job."

  Pierce shrugged.

  "What's to be done with Willy, then?"

  "He'll be getting what any gammy trasseno gets."

  "I'd bump him," Agar said.

  "I don't know about bumping," Pierce said, "but he won't have another chance to blow on us."

  "What'll you do with the officers?"

  "Nothing for the moment," Pierce said. "I've got to think a bit." And he sat back, lit a cigar, and puffed in silence.

  The planned robbery was only five days away, and the police were on to him. If Willy had sung, and loudly, then the police would know that Pierce's gang had broken into the London Bridge Terminus offices.

  "I need a new lay," he said, and stared at the ceiling, "A proper flash lay for the miltonians to discover." He watched the cigar smoke curl upward, and frowned.

  CHAPTER 33

  Miltonians on the Stalk

  The institutions of any society are interrelated, even those which appear to have completely opposite goals. Gladstone himself observed: "There is often, in the course of this wayward and bewildered life, exterior opposition, and sincere and even violent condemnation, between persons and bodies who are nevertheless profoundly associated by ties and relations that they know not of."

  Perhaps the most famous example of this, and one well-recognized by Victorians, was the bitter rivalry between the temperance societies and the pubs. These two institutions in fact served similar ends, and ultimately were seen to adopt the same attractions: the pubs acquired organs, hymn singing, and soft drinks, and the temperance meetings had professional entertainers and a new, raucous liveliness. By the time the temperance groups began buying pubs in order to turn them dry, the intermixture of these two hostile forces became pronounced indeed.

  Victorians also witnessed another rivalry, centering around a new social institution—the organi
zed police force. Almost immediately, the new force began to form relationships with its avowed enemy, the criminal class. These relationships were much debated in the nineteenth century, and they continue to be debated to the present day. The similarity in methods of police and criminals, as well as the fact that many policemen were former criminals—and the reverse—were features not overlooked by thinkers of the day. And it was also noted by Sir James Wheatstone that there was a logical problem inherent in a law-enforcement institution, "for, should the police actually succeed in eliminating all crime, they will simultaneously succeed in eliminating themselves as a necessary adjunct to society, and no organized force or power will ever eliminate itself willingly."

  In London, the Metropolitan Police, founded by Sir Robert Peel in 1829, was headquartered in a district known as Scotland Yard. Scotland Yard was originally, a geographical term, denoting an area of Whitehall that contained many government buildings. These buildings included the official residence of the surveyor of works to the crown, which was occupied by Inigo Jones, and later by Sir Christopher Wren. John Milton lived in Scotland Yard when he was working for Oliver Cromwell from 1649 to 1651, and it is apparently from this association that a slang reference for police, two hundred years later, was "miltonian."

  When Sir Robert Peel located the new Metropolitan Police in Whitehall, the correct address, for the headquarters was No. 4 Whitehall Place, but the police station there had an entrance from Scotland Yard proper, and the press always referred to the police as Scotland Yard, until the term became synonymous with the force itself.

  Scotland Yard grew rapidly in its early years; in 1829 the total force was 1,000, but a decade later it was 3,350, and by 1850 it was more than 6,000, and would increase to 10,000 by 1870. The task of the Yard was extraordinary: it was called upon to policy crime in an area of nearly seven hundred square miles, containing a population of two and a half million people.