Still, I never relaxed into taking those drugs, though they helped immediately. It never mattered who told me these medications were a good idea and perfectly safe; I always felt conflicted about it. Those drugs were part of my bridge to the other side, there’s no question about it, but I wanted to be off them as soon as possible. I’d started taking the medication in January of 2003. By May, I was already diminishing my dosage significantly. Those had been the toughest months, anyhow—the last months of the divorce, the last ragged months with David. Could I have endured that time without the drugs, if I’d just held out a little longer? Could I have survived myself, by myself? I don’t know. That’s the thing about a human life—there’s no control group, no way to ever know how any of us would have turned out if any variables had been changed.
I do know these drugs made my misery feel less catastrophic. So I’m grateful for that. But I’m still deeply ambivalent about mood-altering medications. I’m awed by their power, but concerned by their prevalence. I think they need to be prescribed and used with much more restraint in this country, and never without the parallel treatment of psychological counseling. Medicating the symptom of any illness without exploring its root cause is just a classically hare-brained Western way to think that anyone could ever get truly better. Those pills might have saved my life, but they did so only in conjunction with about twenty other efforts I was making simultaneously during that same period to rescue myself, and I hope to never have to take such drugs again. Though one doctor did suggest that I might have to go on and off antidepressants many times in my life because of my “tendency toward melancholy.” I hope to God he’s wrong. I intend to do everything I can to prove him wrong, or at least to fight that melancholic tendency with every tool in the shed. Whether this makes me self-defeatingly stubborn, or self-preservingly stubborn, I cannot say.
But there I am.
18
Or, rather—here I am. I am in Rome, and I am in trouble. The goons of Depression and Loneliness have barged into my life again, and I just took my last Wellbutrin three days ago. There are more pills in my bottom drawer, but I don’t want them. I want to be free of them forever. But I don’t want Depression or Loneliness around, either, so I don’t know what to do, and I’m spiraling in panic, like I always spiral when I don’t know what to do. So what I do for tonight is reach for my most private notebook, which I keep next to my bed in case I’m ever in emergency trouble. I open it up. I find the first blank page. I write:
“I need your help.”
Then I wait. After a little while, a response comes, in my own handwriting:
I’m right here. What can I do for you?
And here recommences my strangest and most secret conversation.
Here, in this most private notebook, is where I talk to myself. I talk to that same voice I met that night on my bathroom floor when I first prayed to God in tears for help, when something (or somebody) had said, “Go back to bed, Liz.” In the years since then, I’ve found that voice again in times of code-orange distress, and have learned that the best way for me to reach it is written conversation. I’ve been surprised to find that I can almost always access that voice, too, no matter how black my anguish may be. Even during the worst of suffering, that calm, compassionate, affectionate and infinitely wise voice (who is maybe me, or maybe not exactly me) is always available for a conversation on paper at any time of day or night.
I’ve decided to let myself off the hook from worrying that conversing with myself on paper means I’m a schizo. Maybe the voice I am reaching for is God, or maybe it’s my Guru speaking through me, or maybe it’s the angel who was assigned to my case, or maybe it’s my Highest Self, or maybe it is indeed just a construct of my subconscious, invented in order to protect me from my own torment. Saint Teresa called such divine internal voices “locutions”—words from the supernatural that enter the mind spontaneously, translated into your own language and offering you heavenly consolation. I do know what Freud would have said about such spiritual consolations, of course—that they are irrational and “deserve no trust. Experience teaches us that the world is no nursery.” I agree—the world isn’t a nursery. But the very fact that this world is so challenging is exactly why you sometimes must reach out of its jurisdiction for help, appealing to a higher authority in order to find your comfort.
At the beginning of my spiritual experiment, I didn’t always have such faith in this internal voice of wisdom. I remember once reaching for my private notebook in a bitter fury of rage and sorrow, and scrawling a message to my inner voice—to my divine interior comfort—that took up an entire page of capital letters:
“I DO NOT FUCKING BELIEVE IN YOU!!!!!!!!”
After a moment, still breathing heavily, I felt a clear pinpoint of light ignite within me, and then I found myself writing this amused and ever-calm reply:
Who are you talking to, then?
I haven’t doubted its existence again since. So tonight I reach for that voice again. This is the first time I’ve done this since I came to Italy. What I write in my journal tonight is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I’m terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing to myself on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long, I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and I am braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glimpse of myself in a security mirror’s reflection. In that moment my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant, of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page:
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a friend.
I fall asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of Depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy Loneliness beat it, too.
19
Here’s what’s strange, though. I haven’t seemed to be able to do any Yoga since getting to Rome. For years I’ve had a steady and serious practice, and I even brought my Yoga mat with me, along with my best intentions. But it just isn’t happening here. I mean, when am I going to do my Yoga stretches? Before my Italian speedball breakfast of chocolate pastries and double cappuccino? Or after? The first few days I was here, I would gamely roll out my Yoga mat every morning, but found I could only look at it and laugh. Once I even said aloud to myself, in the character of the Yoga mat: “OK, little Miss Penne ai Quattro Formaggi . . . let’s see what you got today.” Abashed, I stashed the Yoga mat away in the bottom of my
suitcase (never to be unrolled again, it would turn out, until India). Then I went for a walk and ate some pistachio gelato. Which Italians consider a perfectly reasonable thing to be eating at 9:30 AM, and I frankly could not agree with them more.
The culture of Rome just doesn’t match the culture of Yoga, not as far as I can see. In fact, I’ve decided that Rome and Yoga don’t have anything in common at all. Except for the way they both kind of remind you of the word toga.
20
I needed to make some friends. So I got busy with it, and now it is October and I have a nice assortment of them. I know two Elizabeths in Rome now, besides myself. Both are American, both are writers. The first Elizabeth is a novelist and the second Elizabeth is a food writer. With an apartment in Rome, a house in Umbria, an Italian husband and a job that requires her to travel around Italy eating food and writing about it for Gourmet, it appears that the second Elizabeth must have saved a lot of orphans from drowning during a previous lifetime. Unsurprisingly, she knows all the best places to eat in Rome, including a gelateria that serves a frozen rice pudding (and if they don’t serve this kind of thing in heaven, then I really don’t want to go there). She took me out to lunch the other day, and what we ate included not only lamb and truffles and carpaccio rolled around hazelnut mousse but an exotic little serving of pickled lampascione, which is—as everyone knows—the bulb of the wild hyacinth.
Of course, by now I’ve also made friends with Giovanni and Dario, my Tandem Language Exchange fantasy twins. Giovanni’s sweetness, in my opinion, makes him a national treasure of Italy. He endeared himself to me forever the first night we met, when I was getting frustrated with my inability to find the words I wanted in Italian, and he put his hand on my arm and said, “Liz, you must be very polite with yourself when you are learning something new.” Sometimes I feel like he’s older than me, what with his solemn brow and his philosophy degree and his serious political opinions. I like to try to make him laugh, but Giovanni doesn’t always get my jokes. Humor is hard to catch in a second language. Especially when you’re as serious a young man as Giovanni. He said to me the other night, “When you are ironic, I am always behind you. I am slower. It is like you are the lightning and I am the thunder.”
And I thought, Yeah, baby! And you are the magnet and I am the steel! Bring to me your leather, take from me my lace!
But still, he has not kissed me.
I don’t very often see Dario, the other twin, though he does spend a lot of his time with Sofie. Sofie is my best friend from my language class, and she’s definitely somebody you’d want to spend your time with, too, if you were Dario. Sofie is Swedish and in her late twenties and so damn cute you could put her on a hook and use her as bait to catch men of all different nationalities and ages. Sofie has just taken a four-month leave of absence from her good job in a Swedish bank, much to the horror of her family and bewilderment of her colleagues, only because she wanted to come to Rome and learn how to speak beautiful Italian. Every day after class, Sofie and I go sit by the Tiber, eating our gelato and studying with each other. You can’t even rightly call it “studying,” the thing that we do. It’s more like a shared relishing of the Italian language, an almost worshipful ritual, and we’re always offering each other new wonderful idioms. Like, for instance, we just learned the other day that un’amica stretta means “a close friend.” But stretta literally means tight, as in clothing, like a tight skirt. So a close friend, in Italian, is one you that can wear tightly, snug against your skin, and that is what my little Swedish friend Sofie is becoming to me.
At the beginning, I liked to think that Sofie and I looked like sisters. Then we were taking a taxi through Rome the other day and the guy driving the cab asked if Sofie was my daughter. Now, folks—the girl is only about seven years younger than I am. My mind went into such a spin-control mode, trying to explain away what he’d said. (For instance, I thought, Maybe this native Roman cabdriver doesn’t speak Italian very well, and meant to ask if we were sisters.) But, no. He said daughter and he meant daughter. Oh, what can I say? I’ve been through a lot in the last few years. I must look so beat-up and old after this divorce. But as that old country-western song out of Texas goes, “I’ve been screwed and sued and tattooed, and I’m still standin’ here in front of you . . .”
I’ve also become friends with a cool couple named Maria and Giulio, introduced to me by my friend Anne—an American painter who lived in Rome a few years back. Maria is from America, Giulio’s from the south of Italy. He’s a filmmaker, she works for an international agricultural policy organization. He doesn’t speak great English, but she speaks fluent Italian (and also fluent French and Chinese, so that’s not intimidating). Giulio wants to learn English, and asked if he could practice conversing with me in another Tandem Exchange. In case you’re wondering why he couldn’t just study English with his American-born wife, it’s because they’re married and they fight too much whenever one tries to teach anything to the other one. So Giulio and I now meet for lunch twice a week to practice our Italian and English; a good task for two people who don’t have any history of irritating each other.
Giulio and Maria have a beautiful apartment, the most impressive feature of which is, to my mind, the wall that Maria once covered with angry curses against Giulio (scrawled in thick black magic marker) because they were having an argument and “he yells louder than me” and she wanted to get a word in edgewise.
I think Maria is terrifically sexy, and this burst of passionate graffiti is only further evidence of it. Interestingly, though, Giulio sees the scrawled-upon wall as a sure sign of Maria’s repression, because she wrote her curses against him in Italian, and Italian is her second language, a language she has to think about for a moment before she can choose her words. He said if Maria had truly allowed herself to be overcome by anger—which she never does, because she’s a good Anglo-Protestant—then she would have written all over that wall in her native English. He says all Americans are like this: repressed. Which makes them dangerous and potentially deadly when they do blow up.
“A savage people,” he diagnoses.
What I love is that we all had this conversation over a nice relaxed dinner, while looking at the wall itself.
“More wine, honey?” asked Maria.
But my newest best friend in Italy is, of course, Luca Spaghetti. Even in Italy, by the way, it’s considered a very funny thing to have a last name like Spaghetti. I’m grateful for Luca because he has finally allowed me to get even with my friend Brian, who was lucky enough to have grown up next door to a Native American kid named Dennis Ha-Ha, and therefore could always boast that he had the friend with the coolest name. Finally, I can offer competition.
Luca also speaks perfect English and is a good eater (in Italian, una buona forchetta—a good fork), so he’s terrific company for the hungry likes of me. He often calls in the middle of the day to say, “Hey, I’m in your neighborhood—want to meet up for a quick cup of coffee? Or a plate of oxtail?” We spend a lot of time in these dirty little dives in the back streets of Rome. We like the restaurants with the fluorescent lighting and no name listed outside. Plastic red-checkered tablecloths. Homemade limoncello liqueur. Homemade red wine. Pasta served in unbelievable quantities by what Luca calls “little Julius Caesars”—proud, pushy, local guys with hair on the backs of their hands and passionately tended pompadours. I once said to Luca, “It seems to me these guys consider themselves Romans first, Italians second and Europeans third.” He corrected me. “No—they are Romans first, Romans second and Romans third. And every one of them is an Emperor.”
Luca is a tax accountant. An Italian tax accountant, which means that he is, in his own description, “an artist,” because there are several hundred tax laws on the books in Italy and all of them contradict each other. So filing a tax return here requires jazzlike improvisation. I think it’s funny that he’s a tax accountant, because it seems like such stiff work for such a lighthearted guy. On the other hand, Luca thi
nks it’s funny that there’s another side of me—this Yoga side—that he’s never seen. He can’t imagine why I would want to go to India—and to an Ashram, of all places!—when I could just stay in Italy all year, which is obviously where I belong. Whenever he watches me sopping up the leftover gravy from my plate with a hunk of bread and then licking my fingers, he says, “What are you going to eat when you go to India?” Sometimes he calls me Gandhi, in a most ironic tone, generally when I’m opening the second bottle of wine.
Luca has traveled a fair amount, though he claims he could never live anywhere but in Rome, near his mother, since he is an Italian man, after all—what can he say? But it’s not just his mamma who keeps him around. He’s in his early thirties, and has had the same girlfriend since he was a teenager (the lovely Giuliana, whom Luca describes fondly and aptly as acqua e sapone—“soap and water” in her sweet innocence). All his friends are the same friends he’s had since childhood, and all from the same neighborhood. They watch the soccer matches together every Sunday—either at the stadium or in a bar (if the Roman teams are playing away)—and then they all return separately to the homes where they grew up, in order to eat the big Sunday afternoon meals cooked by their respective mothers and grandmothers.
I wouldn’t move from Rome, either, if I were Luca Spaghetti.
Luca has visited America a few times, though, and likes it. He finds New York City fascinating but thinks that people work too hard there, though he admits they seem to enjoy it. Whereas Romans work hard and resent it massively. What Luca Spaghetti doesn’t like is American food, which he says can be described in two words: “Amtrak Pizza.”