'The Bible is certainly silent there. The primitive Church believed in the mercies of an intermediate state; and it was only the abuse of it by Romanism that drove the Church into its present position, which, I think, is wholly indefensible, and wholly irreconcilable with the spirit of Christ. For if it were the case, that probation in all cases begins and ends here, God's example would surely be one that could not be followed, and He would seem to be far less persevering than even human beings in efforts to save.
'Nothing is plainer than that it would be wrong to give up any mind to eternal sin till every possible thing had been done for its recovery; and that is so clearly not the case here, that I can see that, with thoughtful minds, this belief would cut the very roots of religious faith in God: for there is a difference between facts that we do not understand, and facts which we do understand, and perceive to be wholly irreconcilable with a certain character professed by God.
'If God says He is love, and certain ways of explaining Scripture make Him less loving and patient than man, then we make Scripture contradict itself. Now, as no passage of Scripture limits probation to this life, and as one passage in Peter certainly unequivocally asserts that Christ preached to the spirits in prison while His body lay in the grave, I am clear upon this point.
'But it is also clear, that if there be those who persist in refusing God's love, who choose to dash themselves for ever against the inflexible laws of the universe, such souls must for ever suffer.
'There may be souls who hate purity because it reveals their vileness; who refuse God's love, and prefer eternal conflict with it. For such there can be no peace. Even in this life, we see those whom the purest self-devoting love only inflames to madness; and we have only to suppose an eternal persistence in this to suppose eternal misery.
'But on this subject we can only leave all reverently in the hands of that Being whose almighty power is “declared chiefly in showing mercy.”'
CHAPTER VIII. CONCLUSION.
In leaving this subject, I have an appeal to make to the men, and more especially to the women, who have been my readers.
In justice to Lady Byron, it must be remembered that this publication of her story is not her act, but mine. I trust you have already conceded, that, in so severe and peculiar a trial, she had a right to be understood fully by her immediate circle of friends, and to seek of them counsel in view of the moral questions to which such very exceptional circumstances must have given rise. Her communication to me was not an address to the public: it was a statement of the case for advice. True, by leaving the whole, unguarded by pledge or promise, it left discretionary power with me to use it if needful.
You, my sisters, are to judge whether the accusation laid against Lady Byron by the 'Blackwood,' in 1869, was not of so barbarous a nature as to justify my producing the truth I held in my hands in reply.
The 'Blackwood' claimed a right to re-open the subject because it was not a private but a public matter. It claimed that Lord Byron's unfortunate marriage might have changed not only his own destiny, but that of all England. It suggested, that, but for this, instead of wearing out his life in vice, and corrupting society by impure poetry, he might, at this day, have been leading the counsels of the State, and helping the onward movements of the world. Then it directly charged Lady Byron with meanly forsaking her husband in a time of worldly misfortune; with fabricating a destructive accusation of crime against him, and confirming this accusation by years of persistent silence more guilty than open assertion.
It has been alleged, that, even admitting that Lady Byron's story were true, it never ought to have been told. Is it true, then, that a woman has not the same right to individual justice that a man has? If the cases were reversed, would it have been thought just that Lord Byron should go down in history loaded with accusations of crime because he could be only vindicated by exposing the crime of his wife?
It has been said that the crime charged on Lady Byron was comparatively unimportant, and the one against Lord Byron was deadly.
But the 'Blackwood,' in opening the controversy, called Lady Byron by the name of an unnatural female criminal, whose singular atrocities alone entitle her to infamous notoriety; and the crime charged upon her was sufficient to warrant the comparison.
Both crimes are foul, unnatural, horrible; and there is no middle ground between the admission of the one or the other.
You must either conclude that a woman, all whose other works, words, and deeds were generous, just, and gentle, committed this one monstrous exceptional crime, without a motive, and against all the analogies of her character, and all the analogies of her treatment of others; or you must suppose that a man known by all testimony to have been boundlessly licentious, who took the very course which, by every physiological law, would have led to unnatural results, did, at last, commit an unnatural crime.
The question, whether I did right, when Lady Byron was thus held up as an abandoned criminal by the 'Blackwood,' to interpose my knowledge of the real truth in her defence, is a serious one; but it is one for which I must account to God alone, and in which, without any contempt of the opinions of my fellow-creatures, I must say, that it is a small thing to be judged of man's judgment.
I had in the case a responsibility very different from that of many others. I had been consulted in relation to the publication of this story by Lady Byron, at a time when she had it in her power to have exhibited it with all its proofs, and commanded an instant conviction. I have reason to think that my advice had some weight in suppressing that disclosure. I gave that advice under the impression that the Byron controversy was a thing for ever passed, and never likely to return.
It had never occurred to me, that, nine years after Lady Byron's death, a standard English periodical would declare itself free to re-open this controversy, when all the generation who were her witnesses had passed from earth; and that it would re-open it in the most savage form of accusation, and with the indorsement and commendation of a book of the vilest slanders, edited by Lord Byron's mistress.
Let the reader mark the retributions of justice. The accusations of the 'Blackwood,' in 1869, were simply an intensified form of those first concocted by Lord Byron in his 'Clytemnestra' poem of 1816. He forged that weapon, and bequeathed it to his party. The 'Blackwood' took it up, gave it a sharper edge, and drove it to the heart of Lady Byron's fame. The result has been the disclosure of this history. It is, then, Lord Byron himself, who, by his network of wiles, his ceaseless persecutions of his wife, his efforts to extend his partisanship beyond the grave, has brought on this tumultuous exposure. He, and he alone, is the cause of this revelation.
And now I have one word to say to those in England who, with all the facts and documents in their hands which could at once have cleared Lady Byron's fame, allowed the barbarous assault of the 'Blackwood' to go over the civilised world without a reply. I speak to those who, knowing that I am speaking the truth, stand silent; to those who have now the ability to produce the facts and documents by which this cause might be instantly settled, and who do not produce them.
I do not judge them; but I remind them that a day is coming when they and I must stand side by side at the great judgment-seat,—I to give an account for my speaking, they for their silence.
In that day, all earthly considerations will have vanished like morning mists, and truth or falsehood, justice or injustice, will be the only realities.
In that day, God, who will judge the secrets of all men, will judge between this man and this woman. Then, if never before, the full truth shall be told both of the depraved and dissolute man who made it his life's object to defame the innocent, and the silent, the self-denying woman who made it her life's object to give space for repentance to the guilty.
PART III. MISCELLANEOUS DOCUMENTS.
THE TRUE STORY OF LADY BYRON'S LIFE,
AS ORIGINALLY PUBLISHED IN 'THE ATLANTIC MONTHLY.'
The reading world of America has lately been presented with a book which is
said to sell rapidly, and which appears to meet with universal favour.
The subject of the book may be thus briefly stated: The mistress of Lord Byron comes before the world for the sake of vindicating his fame from slanders and aspersions cast on him by his wife. The story of the mistress versus wife may be summed up as follows:—
Lord Byron, the hero of the story, is represented as a human being endowed with every natural charm, gift, and grace, who, by the one false step of an unsuitable marriage, wrecked his whole life. A narrow-minded, cold-hearted precisian, without sufficient intellect to comprehend his genius, or heart to feel for his temptations, formed with him one of those mere worldly marriages common in high life; and, finding that she could not reduce him to the mathematical proprieties and conventional rules of her own mode of life, suddenly, and without warning, abandoned him in the most cruel and inexplicable manner.
It is alleged that she parted from him in apparent affection and good-humour, wrote him a playful, confiding letter upon the way, but, after reaching her father's house, suddenly, and without explanation, announced to him that she would never see him again; that this sudden abandonment drew down upon him a perfect storm of scandalous stories, which his wife never contradicted; that she never in any way or shape stated what the exact reasons for her departure had been, and thus silently gave scope to all the malice of thousands of enemies. The sensitive victim was actually driven from England, his home broken up, and he doomed to be a lonely wanderer on foreign shores.
In Italy, under bluer skies, and among a gentler people, with more tolerant modes of judgment, the authoress intimates that he found peace and consolation. A lovely young Italian countess falls in love with him, and, breaking her family ties for his sake, devotes herself to him; and, in blissful retirement with her, he finds at last that domestic life for which he was so fitted.
Soothed, calmed, and refreshed, he writes 'Don Juan,' which the world is at this late hour informed was a poem with a high moral purpose, designed to be a practical illustration of the doctrine of total depravity among young gentlemen in high life.
Under the elevating influence of love, he rises at last to higher realms of moral excellence, and resolves to devote the rest of his life to some noble and heroic purpose; becomes the saviour of Greece; and dies untimely, leaving a nation to mourn his loss.
The authoress dwells with a peculiar bitterness on Lady Byron's entire silence during all these years, as the most aggravated form of persecution and injury. She informs the world that Lord Byron wrote his Autobiography with the purpose of giving a fair statement of the exact truth in the whole matter; and that Lady Byron bought up the manuscript of the publisher, and insisted on its being destroyed, unread; thus inflexibly depriving her husband of his last chance of a hearing before the tribunal of the public.
As a result of this silent persistent cruelty on the part of a cold, correct, narrow-minded woman, the character of Lord Byron has been misunderstood, and his name transmitted to after-ages clouded with aspersions and accusations which it is the object of this book to remove.
* * * * *
Such is the story of Lord Byron's mistress,—a story which is going the length of this American continent, and rousing up new sympathy with the poet, and doing its best to bring the youth of America once more under the power of that brilliant, seductive genius, from which it was hoped they had escaped. Already we are seeing it revamped in magazine-articles, which take up the slanders of the paramour and enlarge on them, and wax eloquent in denunciation of the marble-hearted insensible wife.
All this while, it does not appear to occur to the thousands of unreflecting readers that they are listening merely to the story of Lord Byron's mistress, and of Lord Byron; and that, even by their own showing, their heaviest accusation against Lady Byron is that she has not spoken at all. Her story has never been told.
For many years after the rupture between Lord Byron and his wife, that poet's personality, fate, and happiness had an interest for the whole civilized world, which, we will venture to say, was unparalleled. It is within the writer's recollection, how, in the obscure mountain-town where she spent her early days, Lord Byron's separation from his wife was, for a season, the all-engrossing topic.
She remembers hearing her father recount at the breakfast-table the facts as they were given in the public papers, together with his own suppositions and theories of the causes.
Lord Byron's 'Fare thee well,' addressed to Lady Byron, was set to music, and sung with tears by young school-girls, even in this distant America.
Madame de Staël said of this appeal, that she was sure it would have drawn her at once to his heart and his arms; she could have forgiven everything: and so said all the young ladies all over the world, not only in England but in France and Germany, wherever Byron's poetry appeared in translation.
Lady Byron's obdurate cold-heartedness in refusing even to listen to his prayers, or to have any intercourse with him which might lead to reconciliation, was the one point conceded on all sides.
The stricter moralists defended her; but gentler hearts throughout all the world regarded her as a marble-hearted monster of correctness and morality, a personification of the law unmitigated by the gospel.
Literature in its highest walks busied itself with Lady Byron. Hogg, in the character of the Ettrick Shepherd, devotes several eloquent passages to expatiating on the conjugal fidelity of a poor Highland shepherd's wife, who, by patience and prayer and forgiveness, succeeds in reclaiming her drunken husband, and making a good man of him; and then points his moral by contrasting with this touching picture the cold-hearted pharisaical correctness of Lady Byron.
Moore, in his 'Life of Lord Byron,' when beginning the recital of the series of disgraceful amours which formed the staple of his life in Venice, has this passage:—
'Highly censurable in point of morality and decorum as was his course of life while under the roof of Madame ——, it was (with pain I am forced to confess) venial in comparison with the strange, headlong career of licence to which, when weaned from that connection, he so unrestrainedly, and, it may be added, defyingly abandoned himself. Of the state of his mind on leaving England, I have already endeavoured to convey some idea; and among the feelings that went to make up that self-centred spirit of resistance which he then opposed to his fate was an indignant scorn for his own countrymen for the wrongs he thought they had done him. For a time, the kindly sentiments which he still harboured toward Lady Byron, and a sort of vague hope, perhaps, that all would yet come right again, kept his mind in a mood somewhat more softened and docile, as well as sufficiently under the influence of English opinions to prevent his breaking out into open rebellion against it, as he unluckily did afterward.
'By the failure of the attempted mediation with Lady Byron, his last link with home was severed: while, notwithstanding the quiet and unobtrusive life which he led at Geneva, there was as yet, he found, no cessation of the slanderous warfare against his character; the same busy and misrepresenting spirit which had tracked his every step at home, having, with no less malicious watchfulness, dogged him into exile.'
We should like to know what the misrepresentations and slanders must have been, when this sort of thing is admitted in Mr. Moore's justification. It seems to us rather wonderful how anybody, unless it were a person like the Countess Guiccioli, could misrepresent a life such as even Byron's friend admits he was leading.
During all these years, when he was setting at defiance every principle of morality and decorum, the interest of the female mind all over Europe in the conversion of this brilliant prodigal son was unceasing, and reflects the greatest credit upon the faith of the sex.
Madame de Staël commenced the first effort at evangelization immediately after he left England, and found her catechumen in a most edifying state of humility. He was, metaphorically, on his knees in penitence, and confessed himself a miserable sinner in the loveliest manner possible. Such sweetness and humility took all hearts. His con
versations with Madame de Staël were printed, and circulated all over the world; making it to appear that only the inflexibility of Lady Byron stood in the way of his entire conversion.
Lady Blessington, among many others, took him in hand five or six years afterwards, and was greatly delighted with his docility, and edified by his frank and free confessions of his miserable offences. Nothing now seemed wanting to bring the wanderer home to the fold but a kind word from Lady Byron. But, when the fair countess offered to mediate, the poet only shook his head in tragic despair; 'he had so many times tried in vain; Lady Byron's course had been from the first that of obdurate silence.'
Any one who would wish to see a specimen of the skill of the honourable poet in mystification will do well to read a letter to Lady Byron, which Lord Byron, on parting from Lady Blessington, enclosed for her to read just before he went to Greece. He says,—
'The letter which I enclose I was prevented from sending by my despair of its doing any good. I was perfectly sincere when I wrote it, and am so still. But it is difficult for me to withstand the thousand provocations on that subject which both friends and foes have for seven years been throwing in the way of a man whose feelings were once quick, and whose temper was never patient.'
* * * * *
'TO LADY BYRON, CARE OF THE HON. MRS. LEIGH, LONDON.
'PISA, Nov. 17, 1821.
'I have to acknowledge the receipt of “Ada's hair,” which is very soft and pretty, and nearly as dark already as mine was at twelve years old, if I may judge from what I recollect of some in Augusta's possession, taken at that age. But it don't curl—perhaps from its being let grow.
'I also thank you for the inscription of the date and name; and I will tell you why: I believe that they are the only two or three words of your handwriting in my possession. For your letters I returned; and except the two words, or rather the one word, “Household,” written twice in an old account book, I have no other. I burnt your last note, for two reasons: firstly, it was written in a style not very agreeable; and, secondly, I wished to take your word without documents, which are the worldly resources of suspicious people.